62 AUTHOR’S SCORE 6.9 3.3 56 70 Zombie cinema has never, since George A. Romero, been merely a story about the dead rising. When Romero transformed a shopping mall into a site of apocalypse in Dawn of the Dead, he was saying something far simpler: the human being keeps consuming after death just as much as during life. The mall was not a setting here; it was a mode of behavior. 62 AUTHOR’S SCORE 6.9 3.3 56 70 South Korean cinema’s inheritance of the zombie narrative did not simply repeat that idea; it rewrote it through social traumas, class conflicts, … Continue reading Colony: The Technological Evolution of Herd Psychology